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The Knife Rack

Eliminate the Mess with the Karving King Dripless Cutting Board

After two years of development, Karving King has officially launched The Dripless Cutting Board. Designed to answer the need for a no-mess carving solution, this large capacity cutting board not only cuts the mess but also eliminates the stress when carving everything from turkeys and roasts to fruits and vegetables. All the liquid juices are collected in the drip tray instead of on kitchen countertops and floors, making for a significantly improved cooking experience.

Additional features include a large 20.25-inch by 13.25-inch carving surface, spikes to hold the food in place during carving, a removable drip drawer to collect and reuse juices, easy grip handles and non-slip rubber feet to keep the board firmly in place. The drip drawer can also be used to store cutlery.
BPA-free and bacteria-resistant, the Karving King Dripless Cutting Board is dishwasher-safe and requires no special cleaning products after use. Because it can go in the dishwasher, it’s also ideal for cutting up raw meat and fish.

The contemporary design and choice of colors (red, green, blue) will enhance any kitchen. Made in America, the boards are crafted of a very lightweight and durable polyethylene which will stand the test of time. The polyethylene is non-porous and odor-resistant.

“As home and professional cooks move away from wood cutting boards, we think this will revolutionize the cooking industry,” says Kenneth King, inventor of the Karving King Dripless Cutting Board. “I think this is the last cutting board a cook will ever need to buy. Other flat cutting boards with a simple drip edge don’t come close to preventing the messy cleanup and are often made of bacteria collecting, non-dishwasher safe wood.”

Karving King offers a money-back warranty within 30 days of purchase, a six month limited warranty for any material defects and replacement parts should they be necessary.

Priced at $49.95 with free shipping and handling, the Karving King Dripless Cutting Board can be purchased at www.karvingking.com, Amazon, eBay and soon to be in retail stores. It makes a great gift for anyone looking to upgrade their carving experience.

For more details about the Karving King Dripless Cutting Board, visit booth #N7373, Inventors Corner or contact Kenny King at 800.951.8384. Go to www.karvingking.com to learn more.

Build A Cheeseboard And They Will Come

By Greg Gonzales

Even though we don’t believe in Santa Claus past a certain age, most of us can find plenty of magic in holiday celebrations with friends, coworkers and family. There’s magic in the time we finally get to spend together exchanging stories, it’s in the laughing and crying and generosity ― and it’s in the food we share together, especially the right cheeseboards. Done properly, the right cheeseboard can make a statement at any gathering, become the topic of next year’s conversation, and your customers can do just that if your store provides them the tools, boards, foods and guidance to get there.

“Coming into this part of the year, we see an interest in cheeseboards so much more during the holidays,” said Abby Despins, Senior Public Relations Manager at Emmi Roth. “It’s a great time to do grab-and-go, like at holiday parties, so a lot of people typically do cheeseboards around this time. Great occasions are also tailgating and football. You can do a really great cheeseboard with beef sticks and snacking foods, pair it with spicy cheeses for tailgates or watching the game, and it’s also amazing what you can do for a dinner party. It doesn’t always have to be a big, huge celebration or major event to do it, either. It’s a nice thing to put out before dinner to graze on. There are major events it works well for, but a cheeseboard is a really easy thing to do for a dinner party or just having people over on a Saturday night.”

However, to even get started, a great cheeseboard requires the right tools for form and function. Despins said she often turns to a chef’s knife for a lot of cheeses, but also said it’s important to have the right knife for the right cheeses ― like a skeleton knife for soft cheeses like brie, camembert or Roth Monroe, a limited-production cheese that would stick to a normal blade. To avoid the sticking, a skeleton-style knife like Swissmar‘s Lux Cheese Knife will do the trick, featuring holes in the blade to prevent the cheese from sticking, forged construction for strength and a forked tip for serving, with an elegant black Micarta handle. Boska offers an alternative to skeleton blades from its Pro Collection called the Brie Knife Monaco, which doesn’t feature holes in the blade like other soft-cheese knives but instead has a long, thin blade, made from a single piece of stainless steel.

For harder cheeses, Despins recommends a cheese plane, “a kind of triangle-shaped knife with a slot in the middle; you can scrape your harder cheeses into thinner slices with those, and that’s a nice one to always have on hand.” However, she also said to have a parmesan knife for even harder cheeses, like Granqueso®, because they crumble and it’s often better to break them up instead of slicing them into triangles. Boska offers the Parmesan Knife Monaco in its Pro Collection, with a pointed oval blade and a single-steel construction for control and durability while breaking up those hard cheeses.

For a go-to knife to use for most cheeses, Swissmar also offers a Universal Cheese Knife in stainless steel. “Having a classic knife available is always nice for stock,” said Despins. They’re all very useful, and it depends on how much of a connoisseur a consumer is, but if someone’s shopping cheese knives in general, even looking in that direction, they probably care quite a bit about what they’re choosing.

Having individual knives for individual cheeses is crucial for anyone who wants to preserve the distinct flavors of each cheese on a board, according to Herb Eckhouse, co-Owner of La Quercia, which produces artisan cured meats in Iowa. “If you’re going to have different types of cheese, you’re going to want one implement per cheese,” he said. “If you have a harder cheese like a Parmigiano that you’re cutting with a spade knife, you don’t want to be using that on your blue cheese, or the knife you’re using on your triple cream on your blue cheese, so I think you need one knife per cheese if you’re putting them out there to cut.”

Herb Eckhouse’s wife and fellow La Quercia co-Owner Kathy Eckhouse added that having knives on the board is important for presentation as well, and to lessen any anxiety guests might have about cutting their own cheese. “I love to leave the cheeses uncut,” she said. “You have to monitor it a bit because some people really make a mess of it, though. I like to have a really attractive whole piece of cheese on the board, and then some cut up with it as an indicator of how to do it correctly.”

Another crucial component that literally supports the entire cheeseboard is the board itself ― both visually and physically, whether it’s wood or marble or otherwise. “Your board is definitely key,” said Despins. “That’s a lot of what people are going to remember, is how beautiful your board is, the ones that you choose. You can find some really great cheeseboards these days for prices that are reasonable.” She said she prefers marbles over woods because if cheese sits out for a long time at a gathering, the oils can stain the wood. “I prefer to put cheese on marble boards when I serve at home because it keeps my boards looking fresh for longer,” she said. “If you’re going to go with a wood board, definitely get something that’s really nice, that won’t stain. Spend a little more on it to make sure it’s something nice.” One of the high-quality wood options is the Cheese Board Friends XL from Boska, a large, round European oak board that’s practical for multiple cheeses and pairings with plenty of room for cutting. A little hand soap and a rub with olive oil is all that’s needed to maintain it after use. And in addition to wood and marble, cheeseboards come in slate, like Brooklyn Slate Co.‘s Slate Cheese Board, available in four sizes, in red or black, sourced from the company’s family slate quarry in upstate New York, packaged in a burlap bag with soapstone chalk that allows users to write on the board. The option of writing on the board could let party hosts label cheeses or draw fun designs to make the spread even more memorable.

The cheese itself, along with the pairings to match, is just as important or more so than the tools when getting creative with a cheeseboard. “What’s nice is to have fairly large pieces of cheese, maybe three distinct kinds,” said Kathy Eckhouse. “They look so pretty when the pieces are big.” Herb Eckhouse added that the right choices of meats and cheeses compliments guests on their taste and displays knowledge of what’s going on in the food world ― for example, that American charcuterie like the cured meats by La Quercia is gaining traction ― so it’s important to have a good combination. “There are two basic schools: One is contrast, and the other is complement,” he said. “I’m probably more in the complement side, where I like to have things that are complementary flavors, not highly contrasting flavors. If you have a Parmigiano, an Alpine cheese, an Alpha Tolman from [Cellars at] Jasper Hill, those have a lot of umami flavor that you get with a plain prosciutto.”

The Eckhouses recommended dried fruit, nuts, fennel or cherry tomatoes as a contrasting palate cleanser between cheeses and meats. “If you’re trying to make a statement, you want to communicate that you have the full lexicon,” Herb Eckhouse said. As for the main meats and cheeses, they said it’s important to set up the board so guests don’t get a blast of flavor from the get-go. “It’s really important you don’t put anything on the board that blows your mouth out, where that’s all you can taste,” said Kathy Eckhouse. “One of the phrases we like to use about our meats is that we want them to play well with others. They’ll share the world with other flavors and don’t take over. You don’t want to taste just one thing for the next two hours. There can be a star of the show, but the star shouldn’t preempt every other performer from having a moment. Each item needs to share the space.”

Herb Eckhouse said if hosts start the board with an extremely spicy meat or cheese, “it’s difficult to taste anything else. We would recommend arranging boards in accordance with intensity of flavor. You don’t want to eat the most intense flavors first; you want to eat the most delicate flavors first and progress to the more intense flavors. The idea is that once you take the volume up high, it’s harder to hear the softer tones.”

Retailers who can make a statement with a cheeseboard using their own products in the store have a good chance of extending sales. “I would recommend, especially during the holidays, creating cheeseboards in-store,” said Despins. “A lot of cheese buyers, especially if they’re not connoisseurs, don’t know where to start. The best thing people can do with this is cross-promote products; if you have a selection of cheeses, put some jams and nuts and crackers with them, pull them all together and sell them together. Even sell them with the cheese knives ― here’s the cheese, here’s the knife you need, here’s a great pairing ― and there’s no question, they can just walk up and shop and have everything they need to put together a great cheeseboard. Consumers want help with cheese; it’s much like wine, where we can love it and feel like we know it, but there’s always more to know. Any help you can give consumers is great, so tell them about pairings you’ve tried or knives you’ve used with a cheese. Consumers are hungry for that, they want that direction, so any cross-promotion ideas are a great way to help the consumer along and sell more products.”

Retailers who want to put out a spread can try looking up cheeseboards on Instagram, which Herb Eckhouse said is full of inspiring cheeseboard artists. “There’s a great flowering of cheeseboard artists out there. If you go on Instagram, there are amazing displays, and I would encourage shop owners to check that out and embrace their artistic tendencies to make something they think is pretty and attractive,” he said. “If they want to throw a couple edible flowers on there, put dried cherries and apricots and cherry tomatoes or whatever, I think they should embrace their artistic instincts ― because really, at the end of the day, if you put out great ingredients it’s going to be fun. You can’t go wrong.” He added that he sees retailers doing small carry-out boards, with a moderate price point for boards that work for two people, to plant the idea in the customers’ heads that it’s something they can do at home. “Some of our retailers are offering in-store eating and dining opportunities, setting up boards there and changing them out on a regular basis,” he said. He also recommended providing recipes online for customers and recommending pairings, and recommending ensembles at stores that sell wines, beers and ciders in addition to tools, meats and cheeses. “I don’t think you can really go wrong with this,” said Kathy Eckhouse. “It’s all food that’s safe at room temperature, it’s all food that people like, so it’s pretty difficult to do it wrong.”

Herb Eckhouse added: “Yeah! The one mistake people should avoid is not trying. You gotta get in the game.”

NHB Knifeworks Makes Mark on Route 66

By Greg Gonzales

When travelers take Historic Route 66 through St. Louis and stop at NHB Knifeworks, they feel like they stepped back in time. The sights and smells in the shop, the local crafters working just through the window inside and products all sourced and made in the USA hanging on the walls give the space a rustic feel. However, when visitors get the full tour, they’ll realize it’s a relatively new business with a passion for quality and connection. Founded in 2012 by Knifemaker Nate Bonner and Product Curator Melody Noel, NHB is both a knife workshop and a retail space dedicated to showing what all-American products are all about.

“The entire front end of the shop is all retail, then it hits a beautiful, century-old wooden wall, and there’s a giant window in there where you can see into the upper part of our workspace ― there are two floors: we work in the basement, where our kiln and our forge are, and then upstairs is a little more polished, where you can see, and that’s where we do live knifemaking,” said Bonner. “I run the grinder up there, we make handles and cut all our wood in front of everybody. You can spend a good hour in here watching us make knives and definitely learn something.”

What people learn watching production at NHB is Bonner’s passion for his craft. “If you were to take your stereotypical cowboy, blacksmith, Wild West goldrush era knife and mash that up with some modern Japanese style knives, I’d say that’s kind of where I hang out at,” he said. “I don’t do a lot of traditional Japanese stuff by any stretch of the imagination, and I don’t want it ever to come off that way ― it’s not what I’m about ― but you can definitely see some Japanese influence in my shaping. The way we make our handles, you can see some influence there, but the overall vibe ― and especially the part of knifemaking I enjoy ― is the oil quenching, the American 1095 steel. Those are my happiest days, when sparks are flying and there are giant fireballs coming out of big kegs of oil.”

The company moved its big oil kegs into its current space just over two years ago, Noel, Bonner’s stepmother, said, adding that the retail side of the shop started with about 15 or 20 different products. “During that time we’ve had an opportunity to explore various areas but we’ve focused on our local area,” she said. “We found, for instance, cutting board makers here in Missouri who are making awesome products. We’re trying to do as much locally as we can. We carry copper pots ― these beautiful, traditional-style pots, from Brooklyn. We’ve got our own local blacksmith making hamburger spats and copper ladles, turners you can’t find anywhere else. It’s a wide variety of products and artists, ranging from the Northwest all the way down to Florida.”

Though retail takes up about two thirds of the store, much of the focus is on knifemaking, Bonner’s passion since he was young. He said he couldn’t remember a specific moment when he became interested in knives, that he felt that knifemaking was in his genes, which eventually led him to become a chef. “That was half the reason I became a chef anyway ― it was an excuse to work with knives every day, get good at it, the whole culture around that.”

NHB’s knives are all one-of-a-kind pieces, available in stainless steel, carbon and Damascus blades, with wood handles, all sourced in the U.S. “The Damascus is a little more scarce because it take us a lot longer to make. We make our own Damascus instead of buying and shaping it ― and that’s a common practice in the knife world today, to just go through a Damascus producer, get a bar of it, make a knife out the bar, tah-dah, there ya go, but we’re actually making our own,” said Bonner. “That’s definitely more on our custom end. Stainless and carbon, we have readily available, and we’re happy to make whatever shapes people want. At the start of my knifemaking career I used to get really scared about that ― now I welcome it. If somebody wants to change up a blade style, by all means, let’s change it up! Working in stock removal, which is my favorite way to make knives, it’s really easy to change and manipulate that blade into whatever somebody wants.” As for the handles, Bonner said he’s proud to stay mostly local, adding that buckeye root and maple burl are his current favorites. “We use a lot of local wood. We made some knives recently out of wood that was sourced about 40 miles from the shop,” he said. “A lot of stuff is what I get from Oregon, and I’d say our really choice stuff is coming out of there, and Washington. We don’t do a lot of exotics or anything like that. I have some rare, weird stuff in my private collection that I don’t mind showing people once in awhile, but I’d say about 90 percent of the wood I’m using right now is local, and it’s rare I would buy any products from outside the U.S. There were a handful of times we sourced a handful of steel from Sweden, but the only reason was because it was legitimately better steel. Right now, our knives, down to our micarta and glue, is 100 percent American.”

Sourcing products in the U.S. is a part of the company’s core philosophy. “The U.S. manufacturing sector has gotten a bad rap for some time now, and I think it’s important for people to know there are awesome products being made here,” said Noel. “We want to support artisans, other people in the U.S. who are doing similar things.” Bonner added that the best products he grew up with through the 80s and 90s were American-made, and now he won’t even touch knives from some of his formerly favorite knife companies. “The reason is that they had great-quality knives made in the U.S. but they all decided to make the move overseas” he said. “You’ve probably seen ‘Designed in the USA’ is a big thing, and that pisses me off. It’s riding our coattails. We’re the ones who aren’t getting these insanely high profit margins because we believe in supporting American hands. I associate that with quality. Fishing rods? All my best rods were American made. Skateboarding? All my best boards were American made. All my best guitars? American made. I wanted to follow suit with that and do everything here. To go out and find all the American-made stuff, that’s where our challenge is. Mel’s done an exceptionally good job at pulling all of that together. When we were first finding the product and getting the shop stocked, we had a lot of high-five moments, like, ‘Oh my god, we found an apron company!’ because there’s always apron companies out there but few of them are made here. They might be designed in the U.S. and those designs are emailed to China, but at that point it’s not really an American product. I don’t want to knock the other businesses, but if you’re going to be an American company and print an American flag or USA on anything, you should stand behind that 100 percent, not 10 percent. If you support our country’s economy, this is a great way to do it, and it also brings people in ― your customers want to make that statement, they want to buy that cutting board made by this cool guy named Doug ― they can learn his story and spread it around, and make that statement in their homes. It’s a little bit more money ― it’s a big decision to spend $400 on a kitchen knife versus $39, but once we get people in here, when they’re confronted with that decision of where they want to put their money, once they think about it and talk it out, they want to spend it here.”

Bonner added that NHB earned a loyal customer base that even extends overseas through good service and the quality of its products. “It’s not this big, faceless company ― it’s a tiny company where someone will actually answer the phone, and if you shoot us a message on Instagram or Facebook it goes straight to my cellphone and I always respond,” he said. “Anytime anyone ever wants to talk to us, we’re here and super easy to get hold of. We want people to call us and ask questions. We even have a deal where, if you buy a certain number of knives, I’ll show up and do a demo wherever you’re at ― out of state, East Coast, West Coast, doesn’t matter. We want to build relationships with the people who want to sell our products, and if that means I take a trip to you ― maybe sneaking in some fishing while I’m there ― that’s what it takes.”

Cangshan Gets Sharp on Swedish Steel

By Greg Gonzales

Cangshan Cutlery brought incredible colors to kitchens last year with the introduction of the S+ Series and TC Series, and plans to bring more surprises in 2018. According to the team, this year is all about doing something a little different. The company plans for a new focus on Swedish steel, eye-popping designs and a knife made for the space age.

“We are pushing heavily into Swedish steel,” said Rob Walling, Cangshan National Sales Manager. “We really believe in it, and formed a partnership with Sandvik, a Swedish steel company thats been around for generations. More and more of our product will feature Swedish steel as we move forward.”

Christopher Saunders, Creative Director of Cangshan, said Swedish steel is a high-alloy steel much like German knife companies use, but the difference is that Swedish is finer-grain, which allows manufacturers to get it harder in the heat treatment process. What that equates to is a knife that’s sharper out of the box, and edge retention goes up significantly, he said. “Swedish steel versus German steel, the Swedish will hold its edge up to five to seven times longer than the German steel, which would be softer. Usually when you use hard steels, you can get them sharper, but with that hardness comes brittleness. Very hard steel, you can get it very sharp, but it has a tendency to chip when it hits something hard, like a chicken bone, and your knife is basically done. With the Swedish steel, you’re not getting that brittleness. We think it’s the future of cutlery.”

This year’s introduction has an interesting texture built into the knife to add grip. “The texture is based on the patterns of the surface of Mars, so we’re pretty excited about presenting that at the show,” Saunders said. The new knife will be part of the Top Cut brand, and is called AEOLIS, named for the mountain on Mars also known as Mount Sharp. Cangshan Owner Henry Liu wanted to create a knife from a single piece of metal that was suited for commercial kitchens and designed one with a textured finish to ensure a firm, secure grip. “Commercial kitchens have chefs and artists, and we wanted to push a little design in there,” Saunders said. “All-metal knives, a single piece, very easy to clean, easy to maintain – we wanted to design something along those lines. Thinking of ways to add grip to the texture of the handle, Henry, who’s designed a lot of our products, he came up with the surface of Mars. We played around with raindrops and water, and really couldn’t get the look we wanted, but when we went with Mars, it really became a fascinating, interesting texture.”

Cangshan’s push into Swedish steel included the TC Series, a German Design Award winner noted for its sleek, modern look and simple, smooth lines. The set of full-tang knives is forged from high-alloy Swedish Sandvik steel and includes a solid walnut wood block, an 8-inch chef knife, 7-inch santoku, 6-inch boning knife, 5-inch serrated utility knife, 3.5-inch paring knife, 2.75-inch peeling knife, four 5-inch steak knives, a honing steel and a maple block. “Knives are very personal,” said Saunders. “The TC is our heaviest knife, but then we’re doing a 5-inch santoku that’s a lot lighter, different feel in your hand. We get that there’s minimal kitchens that only need your two essential knives, but then there’s those people who do want a 23-piece block set. We’re looking to fill every cutlery need.” The TC Series Swedish Sandvik Steel Forged 14-Piece Knife Block set has a suggested retail price of $749.95.

The S+ Series is a vibrant two-piece set that includes a 5-inch santoku knife and a 3.5-inch serrated paring knife, the latter of which combines elements of a paring knife with a utility knife. “Santoku knives are traditionally 7 inches, but we got a lot of feedback in the marketplace telling us that a smaller knife is sometimes a little less intimidating to some people,” said Walling. The knives are forged from premium high-alloy German steel, hand-sharpened to an Asian-style cutting edge, full-tang, non-stick and coated with titanium. Each set comes with protective sheaths, which match the color of the handle. “So far, the retailers that have adopted it have really gravitated toward the color more than anything else,” said Walling. “Anybody who’s looking for something a little different, that’s unique, that makes a statement in the kitchen, doesn’t want a whole block set with 14 knives in it – you have your two basic knives that will get you through just about any given situation in the kitchen.” The S+ Series is available in Jupiter Red, Atlantic Blue, French Teal, Vanilla White and Noir Black, for a $49.95 suggested retail price.

Walling and Saunders agreed that color and design are extremely important, but that nonessential gimmicks don’t work in today’s age. It has to serve a purpose that’s essential, that’s practical, said Saunders. “Today’s consumer is way too savvy — this is not 1974.You can’t do design without quality knives, otherwise, nobody’s going to buy your stuff. You’re going to be a one-trick pony — if somebody thinks it’s really cool and buys it, and then it doesn’t perform, you’ve accomplished nothing. We put the quality of our knives up against any of our competitors, but we’re focused on doing something that’s different.”

Getting Gritty with DMT Diamond Sharpeners

By Greg Gonzales

Before December 2017, I’d never sharpened a knife. As a kid, I used to mimic the motion, but I didn’t know the finesse and subtlety that went into perfecting a blade’s edge. So when DMT’s DuoSharp® Bench Stone with Base and the Diamond Steel™ arrived in the newsroom, I jumped at the chance to get myself a crash course and see what sharpeners are all about.

Out of the box, I could tell there was a steeper learning curve for the bench stone than there was for the steel. Not that the bench stone was complicated — it came with 12 rubber feet to place on the bottom for stability. The edge had two grits already locked into the base by two clips, and removing the clips to change grit was as easy as giving them a pinch from the bottom. The steel was even less complicated: remove from box, then rinse. In minutes, I was ready to sharpen, and test out the results with carrots, onions and paper (after a few YouTube instructional videos, that is).

The Tomodachi All-Purpose 6-inch knife from my childhood wasn’t looking so hot when I first got to it. Tiny dents, dulling and other imperfections made slicing through even the softest foods a bit rough; the blade would snag on food and then aim for my fingers.

After about 10 minutes of sharpening on the fine grit, I ran the onion test to test basic sharpness; onion skin is oily and slick, so I was impressed to find that my knife could now catch on the skin with relative ease. The movement wasn’t quite as smooth as I would have liked, though. Each slice still caught a little bit, and I could tell that the blade was uneven. After about five minutes more of the fine grit on each side, and another five on each side with extra fine grit, the Tomodachi was slicing paper-thin tomatoes and cutting carrots like butter. When I did the paper test, the knife slid just as easily through the page as carrots, like I’d expect from a crafter’s razorblade. The DMT Bench Stone (W8) had my knife slicing like it was 2008 instead of 2018.

According to the instructions, I could have sharpened dry, but I went wet because the fluid floats away the swarf (waste material), which keeps the stone from clogging. Though my results were exactly what I was looking for, my only regret was that I couldn’t repair the worst of my knives, which was rife with dents and extensive damage from drawer storage and misuse. For that, I’d need more than the fine and extra fine grits that came in the package. DMT’s Diamond Sharpener grits come in extra extra coarse, extra coarse, coarse, fine, extra fine and extra-extra fine, all color-coded on the package and on the edge itself to help users stay organized and efficient. For home cooks and chefs who are serious about keeping their knives in perfect working condition, I recommend getting a wider range of grits.

The Diamond Steel was a cinch to use, even for a beginner like me. All I needed was a cutting board, the steel and a slightly damaged Hoffritz knife. Again, getting the stroke right from heel to tip took a bit of practice and some direction from strange YouTubers, but I had it down in less than 10 minutes. Since my knife wasn’t too badly damaged, it was slicing paper-thin tomatoes by the time I finished practicing!

Nice as the bench stone was for sharpening, I rarely have damaged knives to fix, so it takes a little too much space in my studio-style apartment. However, DMT’s sharpeners proved to be just what I needed to get a couple knives back into working condition. These are a must-have for anyone who uses a knife every day, though most of us home cooks and small-living folks will be fine with the Diamond Steel on its own, which fits in my knife block or kitchen counter carousel.